I am known as a "good listener".
I am not.
What I am is quiet. For most people, that seems to be enough. In this world, people are looking--mostly in vain--to find someone who will allow them to complete their own thoughts. Barring that, at least a single sentence. I do that: I sit silently while they speak and don't interrupt until they're done, so people assume that I'm listening.
Or, they just like the appearance that I'm listening. Because everywhere else they go in life, someone finishes their sentences for them.
Why do people do this? Is it because the other person is talking too slowly? Maybe, but probably not. The real reason we interrupt each other is not to help them along but because we think whatever we have to say--even about their own personal thought--is more important than what they were going to say.
Whether it were accurate or not, I remember reading a book years ago about how the Indians--when they gathered in a teepee or wigwam or whatever--considered it very bad form to interrupt another speaker. So one man, usually one of the older ones, would speak and everyone else in the teepee would be silent until he stopped speaking. When he finished, someone else would speak. And, supposedly, they would speak in such a way as to show they respected the previous speaker by accurately quoting him and/or responding to what he said. This could go on for some time because everyone got their turn to speak and everyone was respectful--even of opinions they disagreed with.
I'm pretty sure such a process would kill most everyone I know. We interrupt, we talk over, we make arguments that have no bearing on the conversation, we plan our next statement without hearing out the current speaker, and we leave knowing far less about the topic at hand than we could have if we had swallowed our pride and ... listened.
I get the feeling that these people who compliment me on being a good listener don't, in the main, care whether I actually listened to them or not. They just wanted to speak and were glad someone let them.
So go ahead and speak.
I'm listening.
Or quiet.
And do you really care which?
Friday, August 19, 2016
Tuesday, January 26, 2016
Why I Prefer the Prequels to Episode 7
OK, I know my title is already causing some readers to
object and/or question my sanity. I realized that when I wrote it. I didn’t
want to write some cutesy blog where-in I bury the lead somewhere near the
bottom. So, just in case there’s some doubt, let me assure you that:
--yes,
I really do prefer the prequels to episode 7; and
--yes,
I am talking about the “Star Wars” movies.
In our culture, saying you like something over something
else—especially when discussing anything even vaguely art-related like movies,
books, paintings or music—far too many people assume that what’s really being
said is, “I like that one and hate this one.” So no, I didn’t hate Star Wars 7
(sometimes called “The Force Awakens”). I even saw it in the theater three
times and I liked it more each time. Overall, though, I think my opinion of it
is best summed-up by someone I overheard while exiting the theater following my
second viewing, “Well, that was the seventh-best Star Wars movie I’ve ever
seen.”
I am not here to bury or praise Caesar, or SW7, for that
matter. I might get to what I liked and didn’t like about it—depending on how I’m
feeling in a few minutes—but my first focus is to give some basic reasons why I
liked the prequels. [Notice: there’s an assumption here that the original
trilogy is almost universally liked. Of course, some people don’t like it at
all but, among us die-hard StarWarsians, the original trilogy is very well
thought of. I find this interesting because, from about 1984-1998 I frequently
read articles by people who didn’t like “Return of the Jedi”. Then, they had
something else to throw aspersions at, so “Jedi” fell into good graces and poor
Richard Marquand finally got to rest easy in his grave.]
But I liked the prequels. I even (this will make some more heads
explode and I don’t really care because I doubt their loss will negatively affect
the gene pool in any way) liked Jar-Jar Binks. I didn’t want more of him, but I
thought he did what he was supposed to do: provide some slap-stick and comic
relief for the kids. I remember when my children first saw The Phantom Menace.
They were enthralled with all of it, but got a special kick out of this goofy,
gangly, funny-talking Gungan. Was he Shakesperean? Of course not. But for my
money, he was far less annoying that C3PO is in any given appearance of the
golden droid.
Which isn’t to say I ever wanted to do bodily damage to good
ol’ 3PO. He’s funny, he’s occasionally helpful, but he is always rather prissy,
like an upbeat Marvin. R2D2 is cool, of course, and I think it’s clear that the
movies generally hold him back. (Was this the real reason he has such a limited
role in 7? The fear that he would take over?)
People complain about the politics of the prequels; namely:
there’s too much politics in the prequels. I never have shared that complaint.
Were the debates in the Senate as interesting as, say, watching Darth Maul get
de-lowerhalfatated? No, but they weren’t supposed to be. George Lucas had
created this grand saga about a whole galaxy and the politics of that galaxy
informed the action. Back when Governor Tarkin said the Emperor had dissolved
the Senate, we all wondered what the Senate was—how did it operate? if it
existed at all, how does a ruler disperse with it and still keep things
together? didn’t those who were disbanded object? And then, when we saw the
Emperor in “Jedi” (and glimpsed through hologram in “Empire”), we wondered, “How’d
that creepy-looking freak get to be in
charge?!” We’d heard rumors about Obi-Wan fighting Darth Vader on the
edge of a volcano, but what happened to that old dude?
And, as I watch through the prequels (and read the books
about George’s early drafts of all of the 6 original movies), I see an overarching
story, with themes that rhyme (Eps 5&2 rhyme, then 6&1, then 3&4
tie up the poem) and the decades-long story of a galaxy’s change-everything war
told through the eyes of a single family (and their droids).
I even like the dialogue in the prequels. Where some people
complain—to the point of seemingly giving themselves bowel problems—about the
dialogue between Anakin and Padme, I am impressed as a writer with what Lucas
attempted. It’s just the typical story of the girl from the right side of the
tracks who’s falling for the bad boy from the wrong side of the tracks/galaxy.
Do people really talk like that? No, but that’s the point: this isn’t southern
California. These are a royal and a knight on a far off world. They’re not supposed to talk like the people
you live next to! Did Lucas perfectly capture what he was going for there?
Maybe not fully, but that brings me to a point where I have to mention 7.
Some of the things I have just mentioned that I liked in the
prequels, I find missing in 7. Now, maybe, when 8 & 9 are out I’ll look
back at 7 and see that it wasn’t just the world’s longest trailer, but was
actually a quality launch-point for an inventive and well-told trilogy. Right
now, though, I’m looking back at the prequels and seeing that Lucas tried (and,
for me, succeeded) in both filling in a back-story and staying true to an
incredible vision and I compare that to 7, which strikes me as the best …
I keep thinking back to a friend I had back in elementary
school who lived down the street. He came from a rough home (pretty sure there
was some abuse there) and loved to find solace by escaping into Star Trek,
Space 1999, etc. When Star Wars came out, it became his world for several
years. We both had a few action figures (which would be worth nothing now
because we played with them ‘til they fell apart) and he had this idea of
taking an 8mm movie camera and making a stop-motion version of “Star Wars” with
our figures. Not a new story. He was mapping out how to create every scene from
what would later be called “A New Hope”. It was going to be nothing more than a
remake, a tribute, with no originality at all—at least as far as story went.
We went our separate ways in junior high, but it dawned on
me while watching 7 that maybe my friend finally got his wish because someone
went and made the best fan-boy copy-movie ever. With millions of dollars and
the world’s best special effects guys (apparently), they went out and created a
really beautiful tribute to (mostly) “A New Hope” with nods to “Empire” and “Jedi”
thrown in. Even the official magazines of the movie tell of how the director
and co-writer of the movie walked around NYC and Paris, talking about the movie
and I picture one of them saying, “Remember that scene with the mynoks in ‘Empire’?”
and then the other guy says, “Yeah! Let’s make the mynock bigger and put it on
the front of the ship!” And on and on they went until they had created a
visually stunning but creatively rehashed movie. Instead of continuing the
poetry, if I may mix metaphors, it seems more like they’re just a really good
cover band that just can’t quite capture
the magic of the original song.
It’s making millions of dollars. Billions, even. People love
it. “Rey” will probably jump up to the top 10 of names for little girls and “Finn”
will be in the top 20 for boys and the percentage of people naming their sons “Poe”
will jump from .000001 to .000002 overnight.
But I still like the prequels better than 7. When Obi-Wan
says that what they’re going to do with the obvious trap is spring it (right
after what gets my vote for the best space-battle ever filmed), I get a smile
just thinking about it. As the pod-race goes on a little too long, I still
crank up the sound to feel that thump-thump-thump noise in my chest. As the
Jedi prove to be far more vulnerable than we had thought on Geonosis, I wonder
why we’re surprised when Obi-Wan told us long ago that the Jedi were all but
extinct—they had to have lost
somewhere along the line and lost big.
I think it comes down to the fact that George Lucas’s vision
caught my imagination, through all six movies but, to re-use my metaphor from
earlier, the work of this cover band is good for a cover band, but it’s not
really the way I want to hear the song.
In case you’re curious—and I can’t imagine why you would be,
but since you’ve read this far—the “Star Wars” movies arranged in order of my
preference would be 4-5-3-2-6-1-7. The order I usually watch them in is still
4-5-6-1-2-3 (and then 4-5-6 again) though there’s something to be said for the
idea of watching them 4-5-1-2-3-6, as if 1-2-3 are Anakin flashing back to what
led him to that moment where he hacked off his son’s hand.
Thursday, February 19, 2015
An Open and Honest Discussion
Or, “Give me what I want, not
what I asked for.”
It happened
again. Another article about some person
who has left the main-stream church—or, in this case, church entirely—and is
hoping that their speaking out will cause churches to finally talk about the
issues, or have a dialogue, or some such contemporary catch phrase.
Yes, I am
treating their desire lightly. Because I
have serious doubts that it’s what they want.
![]() |
| Telluride in the summer |
Years ago, I
saw a documentary about a prominent and popular singer who had a reputation
for, shall we say, something less than sobriety. He was a professing believer, or so he
professed, and used to even teach Sunday school but had quit the church because
they had some kind of wacky objection to him being high while teaching the
youngsters. He was convinced that the
attitude was the church’s problem to overcome rather than his own.
And he’s
such a good singer that, well, we’ve got to listen to him, right?
The more
recent article was about another singer who had left the church because she had
decided to engage in a sexual lifestyle that ran counter to what the church she
had been attending taught. She claimed
to only want said church to have an honest and open dialogue about her proclivities.
Call me
skeptical. I don’t know the woman—which is
one of the reasons I am not mentioning her name here—but I have a sneaking
suspicion that she only wants a dialogue if she’s pretty certain the outcome
will favor her and her lifestyle. Maybe
I’m wrong. Maybe she’ll sit down one day
with the leaders of that church and they’ll all have a calm, reasonable, loving
discussion about the issue.
How will she
react if the church finally says, “Ms. Entertainer, we have enjoyed getting to
visit like this with and we love you, but after careful study of Scripture we still
believe the lifestyle choices you have brought before us are sinful and,
therefore, we cannot condone them. We
humbly entreat you to repent of them and we would love to be here to help you
fight these temptations—just as we would like to have you help us fight
ours. However, if you cannot admit that
these actions are sinful and refuse to make any effort to submit them to the
Holy Spirit, we’re going to have to ask you to leave.”
I realize
that last paragraph started with a question, so there should be a question mark
somewhere, but I’m not sure where to put it.
How about here?: ?
Anyway, how
do you think she would react? Is it
unreasonable for a church to behave as I have just described?
What I have
found is that a lot a lot of people want a middle ground. They don’t mind if the church teaches that
their particular vice is a sin, just so long as no one calls them personally on it or does anything
about it.
So they go
in search of a church that will uplift them (somehow) with appreciated music
and encouraging speakers but won’t ever trouble them with any kind of “thou
shalt not”s.
Now
personally, I am not a fan of the pulpit-pounding-brimstone version of church
oratory. I like to be encouraged. I
like uplifting tunes. I am also a great
believer in and fan of grace—that free gift from God that none of us can earn.
What if,
however, having accepted God’s grace and submitted to the Lordship of his son,
there is an expected life to be led? Not
in a “how close can I get to the edge without falling out of God’s favor?” but
as in a “how close can I live
to God?!?”
What if these churches are not trying to be nefarious but are actually doing the best they know how to lift their people closer to God? I don't deny that there have been abuses in the name of God, but in the modern era I am convinced that such infractions are the vast minority. Unless you are of the opinion that anyone who tells you "no" is somehow infringing on your rights or just harshing on your mellow, the most harmful thing done to anyone today by the church is probably to leave them alone.
My reply to some wonderful comments (below): Thanks C.D. and D.S. for great comments. We live in an age when more and more people are turning hostile to the gospel, while claiming it was the gospel that turned hostile to them! For a case in point, read this article I found just this morning: http://www.huffingtonpost.com/kathleen-ferraro/dont-judge-a-catholic-sch_b_6714886.html?ncid=txtlnkusaolp00000592 The author is honest enough to admit, though, that if the church changed she probably still wouldn't attend. Could that be because she knows that a church that waters down it's message to meet a fickle public isn't worth the bother.
Tuesday, January 13, 2015
Can There Be Such a Thing as “Christian Science Fiction”?
The old trope says there’s no such thing as a dumb question,
but obviously that’s not true. Questions
like the above and “Will government intervention actually lower the cost of
college (or anything)?” are patently stupid questions.
Yet, we ask them often, mainly in the hopes of starting an
argument. I mean, that has to be the
answer, right? Because to pretend the
answer to our dumb question is not self-evident is to be even dumber than our
question.
![]() |
| Actual photo of a real--not fictional--mushroom growing in central Oklahoma |
For starters, let’s look at the last word in our headline
question: “fiction”. What is
fiction? According to Merriam-Webster,
fiction is defined as “written stories about people and events that are not
real, literature that tells stories which are imagined by the writer, or
something that is not true.” Examples of
fiction might include “Gone with the Wind”, “Catcher in the Rye” or the
Affordable Care Act.
Fiction, then, can be set in any world, in any
world-view. Want to write a story set in
the mythical world of Candy Land? Go
ahead. Want to envision a world where
the sky is plaid with floating cans of aerosol cheese the only sentient
life? You can do that, too.
The thing is, there really are no rules for fiction, per
se. There are rules for writing … sort
of. If you want to write something and
have it graded for school, it needs to conform to the grammar and spelling
rules your school subscribes to. If you want
to write something for publication in a magazine, check with that magazine to
find out what rules they enforce. Even
if you were to try and write sports articles for the website SB Nation—where there
are no rules concerning grammar, spelling or coherence—there are vague
guidelines (I assume without evidence) stating the article needs to be about
sports.
Now, in front of the word “fiction” we (mankind) often
attach like a spavined horse unwillingly dragging a rattletrap wagon loaded
with carcasses to the butcher (where the horse, too, will be executed) certain
qualifying words. “Western” fiction, “romantic”
fiction, “pulp” fiction and, yes, “science fiction.”
These words rarely mean what any rational person would think
they mean. While “western fiction”
conjures up in the mind images of cowboys, Indians and log forts in lands where
there are no trees, it is often interchangeable with “frontier fiction” and can
be set in the forests of Maine or on the beaches of Barbados.
The term “science fiction” might lead one to think that
writings falling under that general heading are based in science. Oh how innocent you are, little
blacksmith! Among the aficionados of
science fiction, one of the favorite pastimes is the casting of aspersions on
anyone who deviates from orthodoxy in the slightest way.
What is the orthodoxy from which people stray? Each aficionado has their own definition.
See, for most of us, “science fiction” describes a wide
variety of “fiction”. (Remembering, of
course, that the word “fiction” means “they made it up.”) Most of us luddites consider science fiction
to contain Stars Trek, War and Gate, as well as Captain Midnight, the works of
Poul Anderson, and that episode of “The Dick Van Dyke Show” where they dream
about the walnuts.
Not the aficionado.
The thing the science fiction aficionado loves best about science
fiction is arguing what’s in and what’s out.
One aficionado considers “Star Wars” to be science fiction because they
hold a very broad definition which includes “anything in space” while another
considers “Star Wars” to be space opera and most definitely not science
fiction because there’s no scientific basis for X-wing fighters to make a sound
in the vacuum of space. Still another
likes to argue that “The X-Files” was science fiction because they pretended to
use science even though they never went to space.
However, I have tried to argue that the greatest science
fiction show ever on television was “Quincy, M.E.” because it was “fiction”
that used and highlighted “science” and have found that this idea generally
makes the aficionados collective heads explode.
(In fact, the only person I have ever
unfriended on Facebook was this knucklehead who’s only apparent joy in life was
belittling everyone who didn’t subscribe to his exact take on what did or not constitute science fiction and I’m
pretty sure he would have physically accosted me over my Quincy take had we not
been in separate states. [I was in Texas, he was in Denial.])
This all being said—for no easily discernible reason—of course there can be Christian science
fiction. Fiction is a story someone made
up. To be at all palatable, it has to be
set in some sort of setting. That could
be the above-referenced plaid-sky planet, a world where there are no deities or
a world (or universe) where there is a deity.
Christian science fiction would, therefore, simply be a science fiction
story that—in some way—subscribed to Christian tenets.
The funny (as in the sense of “ironic” rather than “ha-ha”)
thing is that those who argue most vociferously against Christian science
fiction are often the same people who will argue that the point of science
fiction is to explore the possible and impossible, to speculate on what is or
might be or never was. In other words,
they want limitless creativity … with limits.
Some will argue Christian science fiction is possible, there’s
just never been any good Christian
science fiction. I’ll not deny that
there has been bad Christian science fiction—by someone’s rubric—just as there
has been bad agnostic or atheistic science fiction. When I hear this argument being made (or that
there are no more good westerns, romances, or military thrillers) I generally
tune out because the speaker has already revealed their bias and their
willingness to be dissuaded is not worth my effort.
Labels:
Christian,
Poul Anderson,
Quincy,
science,
science fiction,
western
Monday, December 29, 2014
Who Was the Reason for the Season, Again?
Fill in the blank, “__________ is the reason for the season.”
We’ve been conditioned by lapel pins, T-shirts and bumper stickers to say that “Jesus is the reason for the season.” But what if that’s wrong?
Now, it came about because people who celebrate Christmas as the birth of Christ perceived that the holiday was getting drowned out by all the trappings: gift-giving, shopping, eating, decorations, Santa, etc. So they wanted to remind themselves, and everyone else, that the reason Christians celebrate Christmas is because we’re celebrating the birth of the Son of God.
Leaving aside arguments about whether Jesus were born on December 25th or not (my response: who cares?), I’d like to think that we Christians can come together in joy over the fact that the Son of God was born. Born, lived, died, rose again … that’s big stuff!
Still, we’ve got this holiday—a whole holiday season—during which we celebrate that birth and it is annoying to see someone proclaim that “Christmas is about giving” or even “Christmas is about family” in such a way that they never even mention the Son of God. So we rebel against the commercialism or take down all decorations that don’t have the nativity depicted in/on them and tell people that Jesus—as opposed to gifts, shopping, eating or anything else—is the reason for the season.
But then again, maybe he’s not.
Recall with me, if you will, one of the greatest of all Christmas stories. Jesus is traveling through Jericho, great crowds have gathered to see him, but one guy who desires to see the Lord can’t because of his height. So Little Z climbs up in a sycamore to get a look at the Master and what does Jesus do? Rather than just trying to avoid eye contact with the nut (ha!) in the tree, he stops and says, “Zacchaeus, you come down. I want to eat at your house today!”
Being such a well-known Christmas story, you probably remember what happened next. Zacchaeus takes Jesus home, they eat lunch (or, as it’s called in some cultures, “lunch”), and Little Z is so struck by the Lord and overwhelmed with love for him, that he vows to pay back everyone he has cheated.
Isn’t that a great Christmas story? What? You didn’t know it was a Christmas story? Well, let me point you to the verse where Jesus tells Little Z not just why he came to his house, but why he came to earth:
Luke 19:10
For the Son of Man came to seek and to save the lost. (NIV)
You see, Jesus isn’t the reason for the season: you are! He didn’t come because he had a cool song he wanted Isaac Watts to write (“Joy to the World”), he came because he wanted to find you! So, this Christmas, I encourage you not to focus on a little baby in a manger, but the full-grown Son of God who came to find and save you!
Merry Seasonal Greetings to You!
Tuesday, December 9, 2014
If Your Church Went Away
I have
gotten in the past an advertisement that begins with a question like, “What if
your church went away, would anyone notice?”
The implication is that my church is so inconsequential that no one
would. Therefore, I need to buy their
product (or program or whatever) which will revitalize my church so that my
city would notice it (if it went away).
| Bishop's Castle, Colorado |
Leaving
aside the value of the offered program, I have been thinking about that
question of, “If my church went away, would anyone notice?”
I think the
answer is: it depends on how it goes away.
First off,
are we just referring to the building?
If my church(building) [hereafter referred to as the CB] were to go away
because someone torched it, that would probably be noticed because there are
people living nearby. It might even make
the news, especially if it could be proven to have been a “hate crime”. But the news would soon fade away, except
that the local news might come back later and run a paragraph and a picture
about the grand re-opening. Otherwise,
the story would soon fade from the collective consciousness.
The same
might be said by other, more mundane methods of losing a CB: faulty wiring
leading to fire, drunk plows his car into the building, neighborhood rezoned
and plot of land turned into a Quick Quack (car wash or emergency care center).
Now, if the
CB were taken out by something that was clearly an act of God—like a fireball
from heaven plowing into the building leaving said CB as nothing but a
smoldering hole in the ground while the rest of the neighborhood stays intact—that
might be noticed a little more. Might
even make the national news—especially if there were people (hopefully not me,
personally) inside at the time. But,
soon, it would disappear from the news and the minds of everyone except for
those people who run those “end times” conspiracy websites*.
These
scenarios aren’t really what the ads were talking about, though. The church they are talking about going away
is actually the group of people who
meet in the CB.
Where did
they go? And did anyone see them leave?
The
implication is that the answer to the second question is “no” which makes the
answer to the first question, “Who cares?”
According to
the fliers—either implied or stated outright—we churches have lost influence in
our neighborhoods/communities and, if we go away, we won’t leave a hole there,
physically or spiritually and I don’t
argue with that assessment.
With one
caveat: are we talking about one church going away at a time? This does happen from time to time and this
is what the flier-writer knows and is trying hedge against (make a profit off
of). Second Church of the Lower East
Side used to be quite a going concern, with a choir and a youth group and all
but, over the years, it shrunk numerically.
Maybe the neighborhood demographics changed, maybe the whole town
changed, or whatever, but it grew smaller and smaller until—like those
grotesque and cheaply produced puppet aliens at the end of the Star Trek
episode “Catspaw”—it just dried up and blew away. No one—or almost no one—noticed because the
influence was long since gone. Some
people may remember that church fondly and kind of wish it were still around,
but a] it’s not a big deal to them and 2] there are lots of other
churches around now.
Which may be
a big part of the story of Lower East Side.
When first founded, it was not only the only church in that part of
town, it was the only thing going at all in that part of town. In the years since, several other churches
have moved in and—in addition—the focus of the people of the neighborhood has been
pulled away by their kids’ athletics, cable & satellite TV, the Rubik’s
Cube and a general desire to sleep in on Sunday mornings.
The flier
wants to provide a remedy (often at some expense) to this malady and show me
how to “double my Sunday school in six weeks” or “create a rockin’ worship
experience” or whatever. Some of them
even have ground-breaking—nay, even revolutionary!—ideas, like returning to the
concept of the sufficiency of Scripture.
Without
getting into the value or validity of their offers (in this blog, anyway), I’m
still wrestling with that question of, “If the church goes away, would anyone
notice?” [The astute reader will notice
this isn’t exactly the question as written earlier in the blog.]
Again, how
is it going away? A collection of
fireballs that wipe out each individual church member (we’re not talking CBs
here!)? The rapture (as some envision
it)? I’m going to answer this question
by saying that either yes, they would notice because this is a large
portion of the world’s population suddenly turning up missing or no, because
the non-millenialists were right and this was the end of the world, in which
case there’s no one or no thing left to do the noticing.
If I’m “doing
church” to be noticed, or if I judge the efficacy of my church (or CB) by the metric
of being noticed, I am probably doing it for the wrong reason. Like the guy Jesus talks about whose prayers
are lifted up so he may be noticed by men and his reward is on earth (and, by
implication, not in heaven), having my church noticed on earth is at
best a side-benefit but likely a hindrance to what should be my goal (pleasing
God).
Should I
worry about the church going away?
No. God’s pretty clear on that:
there will always be at least
a remnant on this planet until he sends his son to come and get us.
Should I
worry about my church going
away? Again, that may be the wrong focus
because 1] we’re specifically told not to worry and b] my focus should be on
God and serving him. If I am doing that,
it will probably strengthen my local body.
* Which are
kind of fun to visit and read, though they often have a grasp of scripture
somewhere south of Joel Osteen (but still ahead of Rob Bell).
Labels:
attendance,
church,
death,
end times,
irrelevance
Saturday, November 15, 2014
Hymns vs. Praise Choruses
(or, how about a good old-fashioned Gregorian chant?)
“For every action, there is
an equal and opposite reaction.”
~Sir Isaac Newton
Or, possibly, Sir Fig
Newton. Or maybe Jimmy Neutron.
Anyway, someone said it and
life since then tells us they were either very right or highly quotable.
Since the beginning of the
Christian faith, believers have gathered together and sung. (See Matthew 26:30, Mark 14:26 and Acts 16:25
among other verses.) In the early days,
I’m guessing they sang the Jewish songs they had grown up with, but shortly
after that, I’m sure they began writing their own hymns. Some people have even suggested that certain
parts of the books of Paul may be him quoting early hymns.
And, I’m relatively sure,
that when the first Christian songwriter wrote the first Christian hymn and
presented it to the loving fellowship he worshiped with, the loving members of
his fellowship beat him to an ever-loving pulp and excommunicated him.
Eventually, his song caught
on and other people wrote similar songs in a similar style and they were for
the most part well-received. The problem
arose when someone wrote another song that was just as theologically sound, and
the loving members of his (or her) church family shouted epithets at him (or
her) until they broke down crying and agreed to only write songs in the way
songs had always been written
because that was the way God wanted
songs written!
Flash forward a couple
thousand years, with the knowledge that this cycle has been repeated throughout
church history for the entire time of the church’s existence, and we come to
“modern times” where we have become so sophisticated that we no longer
excommunicate or beat anyone for music we don’t like, we just write blogs like
this and articles for “Christianity Tomorrow” about “Why My Music Makes Me
Holier Than Your Music, Which Will Undoubtedly Land You in the Screaming Infant
Section of Hell”.
Lately, the articles I have
been reading are about these wonderfully enlightened “worship leaders” (some of
whom are so enlightened they’ve gone
back to calling themselves “song-leaders”—just like Paul probably referred to
his leader of songs back when he was conducting those brush-arbor revivals in
Troas, Iconium and the southern section of Macedonia) who have been leading
their congregations in praise choruses for several years* before coming to the
surprise knowledge that, “Hey, some of those old hymns aren’t so bad!”
So they lead their
congregations in hymns and write blogs about what “diadem” and “Ebenezer” mean
and how much better and “richer” and “fuller” is the lyrical content of the old
hymns, forgetting that some old hymns have all the theological and/or spiritual
depth of an old Burger King jingle. I’m
looking at you, “Church in the Wildwood”.
Meanwhile, they feel a need
to denigrate the modern “worship choruses”, lumping them all into a “too
repetitive and emotion-only” bag that is remarkably similar to the bag they
used to lump all the old hymns into. In
other words, for every action (in this case, a swing toward choruses), there is
an equal and opposite reaction (back to hymns).
I’m not going to make one of
those “can’t we all agree that … “ pleas, because that would be like trying to
get all Americans to agree on and vote for the “sane” party. However, if I were going to try and build a consensus it would be that we all
admit that not all hymns are great and not all choruses are bad. If I had to put an intellectual and
well-written hymn, for instance, against a repetitive chorus that quotes
Scripture … well, what if I like them both, for different reasons and for
different uses? Maybe my spiritual diet
would be best served with portions of both
emotion and intellect.
This might well be delivered
by a single leading voice, a choir, a worship team, a person on guitar, twelve
people on guitars, a keyboardist or someone with limited rhythm playing the drums. (I just don’t understand the need for all
church drummers these days to be surrounded by enormous spit guards. If they’re worried about loogies from the
teens, that’s what the moving guitar players are there for: interference.)
I think the real reason we
like arguing hymns versus choruses is a] because we want to validate our
personal preferences and 2] a well-presented argument on the subject makes us
feel superior. That being said, maybe we’d
all do well now and then to participate (participate,
not just sit and listen) in a worship service that takes us wildly out of our
comfort zone.
*There are some churches who
have been singing the same chorus
over and over for all those years, because apparently no one knows how “Pass it
On” is supposed to end.
Labels:
chants,
choruses,
Gregorian,
hymns,
modern worship,
praise & worship,
praise and worship
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